âI want my clothes to have a life and then end up in a second hand store, some cool girl discovers them 20 years later. If the runway or red carpet is the only life clothes have, itâs sadâ â says Jeremy Scott, one of the most eccentric designers of the last two centuries. He doesnât make his clothes for the critic.
â I think fashion takes itself way too seriously. It should be frivolous and fun. You are not meant to see it as church and pray to a blouseâ. He speaks the language of pop culture in fashion. His designs look as if they were created for Instagram â colourful, accentuated, and it speaks for itself. âThe pop energy of an image, which is smaller than the palm of my hand, excites me greatlyâ, says the designer regarding his favourite social media platform.
Jeremy has always overflowed with eccentricity. From his early childhood, which he spent on a farm in Kansas City, he felt like an outsider. He is convinced, however, that âbeing an outsider doesnât mean youâre lonelyâ. In the polaroid photos from the 1990s, we see him with high heels, a strange hair style and inexplicable clothes.
âI started from nothing. A nothing that you couldnât make anything out ofâ, he shares. This ânothingâ is where his genius ideas are born. A soft feather inspires him to create the limited-edition winged sneakers by Adidas.
The idea for flame-adorned Ugg boots is also a product of his imagination. âThe inspiration for the decoration came from the Hot-Rod cars, a symbol of the 1950s and a distinctive part of the history of Los Angeles. He experiments with Longchamp and Swatch.
For him fashion isnât sacred, but must bring positive emotions with it. He enjoys intertwining humĐŸr and design, which is why he uses popular figures such as Mickey Mouse, who speaks âa universal languageâ all over the world. The same goes for Barbie, the Looney Tunes characters, SpongeBob SquarePants, Jesus Christ, the SimpsonsâŠ
Today Jeremy Scott works for Moschino. Itâs as if only he can blend the McDonaldâs arched yellow M logo into a fashion motif, or use Barbie as a muse. It sounds fun but he looks at himself like âa farmer, harvesting his wares and taking them to the market, and then go back and do it againâ. His satirical approach, in life and fashion, has become his trademark and will probably never fail him.
âI want my clothes to have a life and then end up in a second hand store, some cool girl discovers them 20 years later. If the runway or red carpet is the only life clothes have, itâs sadâ â says Jeremy Scott, one of the most eccentric designers of the last two centuries. He doesnât make his clothes for the critic.
â I think fashion takes itself way too seriously. It should be frivolous and fun. You are not meant to see it as church and pray to a blouseâ. He speaks the language of pop culture in fashion. His designs look as if they were created for Instagram â colourful, accentuated, and it speaks for itself. âThe pop energy of an image, which is smaller than the palm of my hand, excites me greatlyâ, says the designer regarding his favourite social media platform.
Jeremy has always overflowed with eccentricity. From his early childhood, which he spent on a farm in Kansas City, he felt like an outsider. He is convinced, however, that âbeing an outsider doesnât mean youâre lonelyâ. In the polaroid photos from the 1990s, we see him with high heels, a strange hair style and inexplicable clothes.
âI started from nothing. A nothing that you couldnât make anything out ofâ, he shares. This ânothingâ is where his genius ideas are born. A soft feather inspires him to create the limited-edition winged sneakers by Adidas.
The idea for flame-adorned Ugg boots is also a product of his imagination. âThe inspiration for the decoration came from the Hot-Rod cars, a symbol of the 1950s and a distinctive part of the history of Los Angeles. He experiments with Longchamp and Swatch.
For him fashion isnât sacred, but must bring positive emotions with it. He enjoys intertwining humĐŸr and design, which is why he uses popular figures such as Mickey Mouse, who speaks âa universal languageâ all over the world. The same goes for Barbie, the Looney Tunes characters, SpongeBob SquarePants, Jesus Christ, the SimpsonsâŠ
Today Jeremy Scott works for Moschino. Itâs as if only he can blend the McDonaldâs arched yellow M logo into a fashion motif, or use Barbie as a muse. It sounds fun but he looks at himself like âa farmer, harvesting his wares and taking them to the market, and then go back and do it againâ. His satirical approach, in life and fashion, has become his trademark and will probably never fail him.
